Hollywood Reporter Critics

Hollywood Reporter Critics: THR’s TV reviewers choose faves from the first half of the year, including a singular stand-up special, a sweet gay teen romance and a sweepingly ambitious literary adaptation.

After three years away, Donald Glover’s sometimes gritty, sometimes surreal examination of race and fame returned with a season in which four of 10 episodes were stand-alones without the core cast. The best of those — “Three Slaps” and “Rich Wigga, Poor Wigga” — meshed intriguingly with the hilarious and sometimes profoundly sad installments that found the central characters traveling around Europe. ­— DANIEL FIENBERG

The Hollywood Reporter Critics Pick the 10 Best Films of 2022 (So Far)

In its third season, the HBO series plunged to new depths of bleakness with its title character’s quest for forgiveness — and, with that stunning highway chase, hit new heights of artistry as well. At the same time, it’s still good for laughs, especially when skewering the cruel inanities of showbiz or marveling at the wisdom of one particular beignet slinger. Is it still a comedy? Should we be calling it a drama now? I have no idea. I just know it’s excellent television. ­— ANGIE HAN

Creators Peter Gould and Vince Gilligan are masters of pre-finale escalation — and with the end near (the last six episodes are set for July and August), the series has ramped up the tension, the shocking twists and the tragic love story at its heart. Is Jimmy (Bob Odenkirk) corrupting Kim (Rhea Seehorn)? Is Kim corrupting Jimmy? And with the Breaking Bad timeline looming, does the future Saul Goodman have any hopes for a happy ending? ­— D.F.

.Hollywood Reporter Critics Pick the Best Films of 2021

Pamela Adlon’s dramedy ended its five-season run in vintage form, as a celebration of our literal families and the families we build for ourselves with friends, loved ones and even strangers we meet along the way. Highlights included a trip to London, a cameo from Danny Trejo, a wedding, an abortion, a musical number and, if you squinted closely enough, a possible UFO sighting, all delivered with laughter and tears. ­— D.F.

Heartstopper may not be reinventing the wheel with its liberal deployment of YA romance tropes — but it’s using them better than just about any other recent show, and in service of young queer characters defined more by joy than pain. Leads Kit Connor and Joe Locke share a squee-worthy chemistry as Nick and Charlie, and their relationship is cast in such a wistful and rosy glow, it might almost make you wish you were a teenager again. Almost. ­— A.H.

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Soo Hugh’s adaptation of Min Jin Lee’s novel takes liberties with structure and plot but retains the emotionally epic scope of the generation-spanning narrative. It’s driven by impeccable period production design, a masterful balance of restraint and melodrama, clever use of language and a cast with too many standouts to list — Minari Oscar winner Yuh-Jung Youn, Minha Kim and Jin Ha, among others. Plus, it boasts the best credit sequence on TV. ­— D.F.

From Hannah Gadsby’s Nanette to Bo Burnham’s Inside, upheavals within the comedy special space occur just regularly enough to cause discomfort for stand-up traditionalists. This year’s paradigm-shifter has been Jerrod Carmichael’s impressively intimate hour — directed and edited by Burnham — that played as half confessional, half support group. Carmichael’s coming-out got the headline, but Rothaniel is as much about the secrets and lies that bind every family together. It’s often hilarious, brilliantly constructed personal storytelling. ­— D.F.

Emmys: The Hollywood Reporter’s TV Critics Pick Their Favorite Contenders

Initially, what’s intriguing about this show is its dystopian premise, or maybe its eerie midcentury-flavored sets. But what lingers after the credits to that thrilling season finale have rolled is the humanity of the characters — including depressed Mark (Adam Scott) and defiant Helly (Britt Lower) — who fumble toward love, community and rebellion within a system designed to stamp out all of the above. ­— A.H.

Don’t let the vague title fool you: The series is nothing if not specific about the everyday rhythms of the small Midwestern community it’s set in, and sensitive to the heartaches and joys and laughs — lots and lots of laughs — its characters find within it. Bridget Everett’s Sam is its narrative center, as she emerges from a fog of grief to rediscover her creative passions, but Jeff Hiller’s pure, sweet Joel is its heart. — A.H.

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Hollywood Reporter Critics Pick the Best Films of 2021

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14-Dec-2021 — Hollywood Reporter Critics Pick the Best Films of 2021 · Jon Frosch’s Top 10 · Lovia Gyarkye’s Top 10 · Sheri Linden’s Top 10.

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Hollywood Reporter ; –. Loudmouth (2022), Lovia Gyarkye ; –. Rounding (2022), Angie Han ; –. Over/Under (2022), David Rooney ; –. Brian and Charles (2022) 

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22 June 2022; by David Rooney, Sheri Linden, Lovia Gyarkye · by David Rooney, Sheri Linden, Lovia Gyarkye and Jordan · The Hollywood Reporter – Movie News

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The Hollywood Reporter (THR) is an American digital and print magazine, and website, which focuses on the Hollywood film, television, and entertainment …

Publisher: Elisabeth D. Rabishaw; Victoria Gold

Company: MRC; ‎Penske Media Corporation‎

First issue: September 3, 1930; 91 years ago

Founder: William R. Wilkerson

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arts and culture critic @thr. … The Hollywood Reporter Critics Pick the 10 Best Films of 2022 (So Far). THR’s film reviewers choose faves from the first 

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15-Dec-2021 — I was mixed up on one of the most widely adopted critical darlings of the year, Paul Thomas Anderson’s Licorice Pizza, which looked more like a 

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The Hollywood Reporter Critics Pick the Best Films of 2021 (So Far). Jon Frosch. 6/23/2021. Like. Comments. Dascha Polanco et al. posing for the camera: The

 

 

 

 

 

 

 

 

 

 

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